Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape. The ...(展开全部)

Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it recorded many of the century's...(展开全部)

n dark or desperate times, the artwork is placed in a difficult position. Optimism seems naïve, while pessimism is no better. During some of the most demanding years of the 20th century two distinctive bodies of work sought to respond to this problem: the writings of Maurice Blanchot and American film noir. Both were seeking not only to respond to the times but also to critical...(展开全部)

The Chinese essay is arguably China’s most distinctive contribution to modern world literature, and the period of its greatest influence and popularity—the mid-1930s—is the central concern of this book. What Charles Laughlin terms "the literature of leisure" is a modern literary response to the cultural past that manifests itself most conspicuously in the form of short, informa...(展开全部)

Attempting to provide a sociological explanation of the Holocaust, the main theme of this work is the demonstration that the Holocaust has to be understood as deeply involved with the nature of modernity - neither a single event nor a simple outpouring of barbarism. The author discusses what sociology can teach us about the Holocaust, but more particularly concentrates upon the...(展开全部)

Attempting to provide a sociological explanation of the Holocaust, the main theme of this work is the demonstration that the Holocaust has to be understood as deeply involved with the nature of modernity - neither a single event nor a simple outpouring of barbarism. The author discusses what sociology can teach us about the Holocaust, but more particularly concentrates upon the...(展开全部)

In this major theoretical statement, the author offers a new and provoctive interpretation of institutional transformations associated with modernity. What is modernity? The author suggests, "As a first approximation, let us simply say the following: 'modernity' refers to modes of social life or organization which emerged in Europe from about the seventeenth century onwards and...(展开全部)

The essays collected in this volume all explore the problem of the relation between moral philosophy and modernity. Charles Larmore addresses this problem by attempting to define the way distinctive forms of modern experience should orientate our moral thinking. Charles Larmore wonders whether the dominant forms of modern philosophy have not become blind to important dimensions...(展开全部)

The essays collected in this volume all explore the problem of the relation between moral philosophy and modernity. Charles Larmore addresses this problem by attempting to define the way distinctive forms of modern experience should orientate our moral thinking. Charles Larmore wonders whether the dominant forms of modern philosophy have not become blind to important dimensions...(展开全部)

In an exploration of the complex relations between women and the modernity. She also calls into question those feminist perspectives that have either demonized the modern as inherently partiarchal, or else assumed a simple opposition between men's and women's experiences of the modern world. Combining cultural history with cultural theory, and focusing on the fin de siecle, Fel...(展开全部)